Cinema Novo was marked by the first time in Brazilian cinema that the notion of
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Cinema Novo was marked by the first time in Brazilian cinema that the notion of “being Third World” shaped the way film was theorized and made.
What Rocha’s “aesthetics of hunger” tells us about the types of cinema he was fighting against and for? How would you articulate Cinema Novo’s intent of a socially just realism and truthfulness with Diawara’s analysis of Black representation and Black spectatorship?